In this piece, Elise Rasmussen and Chelsea Knight explore Antigone in its references to the roles of women in ancient Greece. They read the play as both proto-feminist and misogynous, where the protagonist
engages in acts of brave civil disobedience, but is also used as an example of a stereotypical feminine tendency to feel
rather than think. Rasmussen and Knight seek to draw attention to the
way language is used against women in the play, its loss and gain of
intention through time through translation, and its relevance today. (cited from www.chelseaknight.com)